Elizabeth’s Wedding Quilt

In June 2008, I completed this quilt as a wedding gift for my niece, Elizabeth:

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The design was inspired by a design from Jan Krenz’s book, “Lone Star Quilts and Beyond.” It is basically a Lone Star quilt where eight different fabrics (colors) spiral from the center. I used a spiral feather quilting motif along each of the pieced spirals, filling in with small feathers:

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I used New York Beauty blocks for the setting squares and triangles:

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I inserted a striped inner border:

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All the fabrics were from the “Sand and Surf” collection by Michele D’More for Marcus Brothers. There was a large floral print which I used for the outer border. I chose to follow the large floral motifs for the quilting design:

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I quilted a large feather design in the corner setting squares:

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The quilt back:

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I used Hobbs 80/20 batting and Superior Thread’s King Tut thread in color #994, Karnak. The quilt was about 95 inches square.

There was a lot of fabric left over, so I was hoping Elizabeth had a son in her future. Stay tuned for “the rest of the story!”

Posted in Elizabeth's Wedding Quilt | 4 Comments

“Five Half-Square-Triangle Hills” Completed

My entry for the Quilters’ Blog Festival is this recently completed bed size quilt featuring half-square-triangles collected in a quilt group exchange.

AmysCreativeSide.com

The completed quilt:

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The five “half-square-triangle hills” running along the center of the quilt:

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Machine quilting in the white areas at the ends of the quilt:

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A corner showing the border quilting and binding:

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The quilting on the chevron areas and the continuous curve quilting on the half-square-triangles in the interior areas:
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One of the two smallest hills:

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Some views of the quilting from the back side of the quilt:
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I used Glide thread in colors 20001 Cream and 20140 Leather for the long arm quilting using my Gammill Vision 26-10 machine. The batting was Hobbs 80-20. The quilt measures 88 inches by 100 inches. The half square triangles were collected in a half-square-triangle exchange with my quilt group, Lovells Loose Threads, during 2013.

Earlier posts about the making of this quilt can be seen here and here:

Posted in Five Half-Square-Triangle Hills, Half Square Triangle Designs, Quilting | 7 Comments

“Princess Vickie” has been sold….

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I made “Princess Vickie” when I was first getting back into quilting a few years ago. She was pieced in 2007 and quilted in 2008. The quilt measures about 92″ x 92.” This was early in my long-arm quilting efforts. You can see that I did mostly straight line quilting with a few continuous curves thrown in. I used a variegated King Tut thread in shades of pink. The batting was Hobbs 100% cotton. Most of the fabrics are from the Marcus Brothers collection called “Charleston II.” The backing is a one piece wide backing from that line of fabrics as well. “Princess Vickie” won a third place ribbon in the Michigan Quilt Network (MQN) quilt show in 2008. The pattern appeared in Kaffe Fassett’s book entitled “Museum Quilts,” although I made a slight modification to the final border design. The antique quilt upon which Kaffe based his design resides in the Victoria and Albert Museum in London, England.

Princess Vickie Gallery:

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“Five Half-Square-Triangle Hills” Progress Report

I loaded this quilt top seen in my previous post . I stitched in the ditch along all the chevron elements, that is the red, brown, white and HST chevrons. Then, with a water soluble pen, I marked the white end areas where there was room for a little interesting quilting. I drew diamonds and vertical lines to contain different quilting designs as seen here:

Some diamonds contained “pebbles:”

Other diamonds contained “quadrants of lines:

After I completed one end of white area, I “continuous curve” quilted all the HST’s:

So now my next task is to quilt the other white end area like the first one. After that, I will quilt inside the red and brown chevrons. I will keep you posted on further progress.

Posted in Five Half-Square-Triangle Hills, Quilting | 3 Comments

Half Square Triangle – Fat Quarter Tutorial

In a previous post I promised a tutorial for making lots of half square triangles (HST’s) from fat quarters, so here goes. First, I would like to emphasize that accuracy is of the utmost importance, in marking, sewing and cutting. Also, this is still producing HST’s, so it is still time consuming, but it is organized, systematic and produces scads of HST’s from one process.

Press two fat quarters, a dark and a light:

Align them right side together with the dark fat quarter on the bottom facing right side up and with the light fat quarter on the top facing right side down:

Align one short edge of the stacked fat quarters with the bottom line on your cutting mat. Use a 24 inch cutting ruler and a fine marker to draw a line at a right angle to the bottom edge. This line serves the same purpose as a “clean up cut” would. Make sure that both fabrics are under this line:

Draw lines parallel to your first vertical line a distance of 2 3/8 inches apart for finished HST’s of 1 1/2 inches:

Draw lines the same distance apart at right angles from the short edge of the fabrics:


All the vertical and horizontal lines have been drawn at this point:

Draw lines from corner to corner of each drawn square in one direction only. All the diagonal lines will be parallel:

Draw lines a 1/4 inch from each side of the diagonal line. These will be the diagonal sewing lines:

All the vertical, horizontal and diagonal lines have been drawn at this point:

Pin lots of places between the diagonal lines, making sure you will have room to machine sew on the diagonal lines:


Sew on the diagonal lines just a needle’s width (scan 1/4 inch) inside the diagonal sewing lines:

As your sewing progresses to the corners, lots of fabric will be in the throat of the machine. Loosely roll it up to keep it out of the way:

All the diagonal sewing lines have been sewn:


Using a 24 inch cutting ruler and rotary cutter, cut all the vertical lines:

Stack three strips at a time, off-setting the strips by about 1/4 inch and matching the horizontal drawn lines:

Using a cutting ruler and rotary cutter, cut all the horizontal lines:

Cut all the diagonal lines between the sewn diagonal lines. The resulting stack of HST’s:

Most of the HST’s will have a short sewn corner. Insert your finger or a stiletto between the two layers of fabric and tug and these stitches will release and come out:

Using a small, sharp scissors trim the corners as shown:

Press the seam of each HST toward the dark. Pressing from the right side makes it easy to avoid pleats at the seam line:

Pretty, isn’t it?

When I drew the lines on this sample I had a six by eight grid resulting in 48 squares and, eventually, 96 HST’s.

You can make these any size you want. Draw the squares 7/8 inch larger that the desired size of the HST as it will appear in your pieced quilt (sometimes referred to as “finished” size). The following chart may be helpful:

Posted in HST-FQ Tutorial, Tutorial | Tagged , , , , | 2 Comments

My Long Ocean Waves Journey

In the summer of 2009, almost five years ago, I attended a trunk show by Bonnie Hunter where she displayed and discussed a number of her quilt creations . Among these was this “Ocean Waves” quilt:

I was inspired! So, not long after seeing Bonnie’s quilt, I started collecting fat quarters of dark teals and light teals. It took about one and half years to collect what I thought was an adequate collection to provide a nice variety of fabrics. I started making half-square triangle (HST) units. I will post, in detail, how I made these because that is a whole other story. After all, I would need, literally, thousands of them. I packaged each color/fabric combination of HST in a separate little sandwich bag and numbered the bags. Here is my collection of 34 differently colored/patterned HST’s:

By January 2011, I was ready to start sewing blocks together from the HST’s using Bonnie’s free pattern found here. First, I made an “A Block”, a “B Block” and a “Block 2” so that I could test sew them all to make sure things were fitting together nicely:

I chose to limit working on this quilt top to the weekly meetings of my little quilt group. The following photos show my progress on my long journey finishing the piecing of this quilt top:

I had completed all the “A Blocks” and all the “B Blocks”, so I moved on to the “Block 2’s”

We had one of our meetings at Linda S’s house. I was still smiling…

At the last minute, I decided to add a pin wheel border, just because I has so many HST’s left! I finally finished piecing the top in March 2014. Now I have to decide how to quilt it! Yeah!

Posted in My Long Ocean Waves Journey, Quilting | 10 Comments

The Quilt Show’s 2014 Block of the Month

Several of my friends and I decided to do the “A to Z for Ewe and Me” BOM quilt designed by Janet Stone for the online quilt show and group called “The Quilt Show.” This is Janet’s completed quilt:
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I decided to go for a darker palette with medium olive dot background and lots of jewel toned batiks for the pieced blocks. Here is my version of January’s installment:
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And the February installment:
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I tossed in some cream fabrics with gold metallic when I needed some lighter fabrics so I decided to use a gold colored trilobal polyester thread for the blanket stitch around the letter appliques. This is stitch number 37 (2.5 wide and 2.0 long) on my Janome 6600 sewing machine and Glide thread color number 80132:
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The design includes a smattering of little appliqued gold stars, too, so I used the gold metallic fabrics and the Glide thread on those, too:
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I am pleased with how this project is going so far!

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AQS Quilt Week in Phoenix, Arizona

I had two quilts juried into the AQS quilt show in Phoenix, AZ, February 5-8, 2014. Since we were having such a brutal winter here in northern Michigan I was really happy that we had decided to fly out for a brief stop at the show and then a little sight seeing in the beautiful weather in Arizona this time of year.

Upon arrival at the show the first thing I noticed was that an image of my “One Thousand Diamonds” was being used in the registration display. About six pages would loop on the wide screen display and this is what it looked like:

The display in relation to the registration desk:

Then I picked up a copy of the show brochure, …

…and look what was on one of the pages listing quilts in the show! A cropped image of “One Thousand Diamonds!”

Of course I had to have my picture taken in front of “One Thousand Diamonds:”

By the way, “One Thousand Diamonds” has 1000 diamond shaped patches made from 1000 different fabrics collected in a charm square exchange with my local quilt group, Lovells Loose Threads.

We stopped by my other entry, “My Sedona Star,” which happened to have a third place ribbon on it! What a thrill to win a ribbon at a big AQS show!

“Sedona Star” was the TQS BOM in 2012 designed by Sarah Vedeler.

We spent the rest of the week taking in the local attractions such as the Chihuly exhibit at the Desert Botanical Gardens which was spectacular:

The Pueblo Grande Archaeological Museum :

The Heard Museum with Exhibits about Native American Culture and Arts:
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And Taliesen West, Frank Lloyd Wright’s Winter Home and School of Architecture:

What a great mini vacation!

Posted in One Thousand Diamonds, Quilting, Sedona Star | 5 Comments

Red and White Winding Ways

I am participating in Sew Cal Gal’s “A Year of Red and White Quilts” Challenge.

My entry is my “Red and White Winding Ways.” Here she is, quilted and bound:

I quilted the concentric circles using the Gammill Work Station accessory as seen here. It fits onto the table that normally holds pantograph patterns:

A stylus travels in groves in a template and guides the sewing on the quilt itself. With this concentric circle template, when one circle has been sewn, the stylus must be moved to the next size circle to make the second circle of quilt stitching.

I did seven rounds of concentric circles of quilting within each large white circle of patchwork over the entire quilt top.

As the concentric circles were completed, areas of curved cross-hatching developed:

I went back to each white circle of patchwork and quilted a flower design in its center using a 3.5 inch plastic template to get the partial circle that formed the petals:

I used large straight pins to mark the placement of the eight petals for each flower motif:

The blocks with white backgrounds and red crosses had this resulting quilting pattern:

And the blocks with red backgrounds and white crosses had this resulting quilting pattern:

Red circles of patchwork:

White circles of patchwork:

A view of the red polka dot backing and red with black dots binding:

I used a single layer of Hobbs 80/20 batting and cream colored Glide thread for this quilt. All the pieces for the patchwork were cut with the Accuquilt GO! Winding Ways die set.
For more posts about the making of “Red and White Winding Ways,” search my blog using “Winding Ways.”

Posted in Quilting, Red and White Winding Ways, Uncategorized | 12 Comments

Mimi’s Pineapples

A couple of years ago I made a pineapple quilt using a special tool (ruler) marked with the lines for one particular sized rounds. I wanted to make a pineapple quilt with narrower rounds and I did not want to have to paper foundation piece a bed-sized quilt. Late last summer I decided one should not need a special tool (ruler) or paper foundation piecing to make a proper pineapple block. I decided to make my experimental blocks with 1.5 inch finished centers and .75 inch wide finished rounds. I simply cut a 2 inch square for the center, sewed on 1.25 inch cut strips onto all four sides of the first round, lined up a ruler at a 45 degree angle on the corners and trimmed all four corners being careful that the resulting sides were all perpendicular to each other and that the rounds were the correct trimmed width (1 inch).

Scrap strips pastels and brights cut to 1.25 inches:

Cream background strips cut to 1.25 inches:

Because the background strips were cut from yardage and consequently quite long, I could sew multiples onto a strip and then cut them apart for pressing and trimming:

Trimming the rounds:

A completed pineapple block finished at 9.5 inches:

One block led to another until I decided to make quilt for my granddaughter, Mimi. I made 80 blocks for Mimi’s twin size bed. Whew!:

I quilted the top on my long-arm using a “star” free hand design of my own devising. The following views of the quilting are after the quilt was washed and machine dried:

I used turquoise So Fine! thread by Superior Thread:

A view of the back:

I applied and sewed down the binding by machine:

A view of the mitered corner from the back:

I had an extra block so I removed a few rounds and converted it to a label :

One more view of the finished quilt hanging from my loft railing:

I used Superior Thread’s So Fine! thread and Hobbs 80/20 batting. Most of the brights and pastels were stash or scraps. The cream background was Marblehead designed by Paintbrush Studios for Fabri-Quilt. My long-arm machine is a Gammill Vision 26-10.

Posted in Mimi's Pineapple Quilt | 3 Comments